放 - Fàng
the music starts with conventional notation, becomes fluid in undulating modal forms, and finally breaks free from the staff where watercolour introduces gradation of hueinspired by traditional Chinese calligraphy; in creating the modal shapes digitally, the calligraphic sense of discipline is exaggerated while its organic nature is tempered. after the release, this is reversed; the semiotic structure is discarded and intuition reigns in painting.
放 (Fàng) is the hànzì for ‘to release’ or ‘to liberate’, but also ‘to play’ (a sound recording)