i pass as all things do
202111’
for harp,
contrabass clarinet, and vibraphone
the piece is comprised of three contiguous sections; the first is focused on white noise, the second on pitched noise, and the third on purer tones. each section contains one ‘memory’, a shorter passage which is of a different character to the section it occupies
dedicated to the memory of Chester, and inspired by the death-haiku of Banzan (d. 15/08/1730):
farewell-
i pass as all things do
dew on the grass
mame de iyo
mi wa narawashi no
kusa no tsuyu
performance in 2021 by:
John McCowen, contrabass clarinet
Matthias Engler, vibraphone
Gunnhildur Einarsdóttir, harp
the piece is comprised of three contiguous sections; the first is focused on white noise, the second on pitched noise, and the third on purer tones. each section contains one ‘memory’, a shorter passage which is of a different character to the section it occupies
dedicated to the memory of Chester, and inspired by the death-haiku of Banzan (d. 15/08/1730):
farewell-
i pass as all things do
dew on the grass
mame de iyo
mi wa narawashi no
kusa no tsuyu
performance in 2021 by:
John McCowen, contrabass clarinet
Matthias Engler, vibraphone
Gunnhildur Einarsdóttir, harp